Vol. IX, nº 67 abril de 2016 :: Download complete edition in PDF

By Daniele Avila Small

Translated by Cláudia Cruz


Summary: The purpose of the present article is to make a brief analysis of the plays Galvarino, by the Chilean group Teatro Kimen, and Derretiré con un cerrillo la nieve de un volcán, by the Mexican Group Lagartijas Tiradas al Sol, using the concept of documentary theatre as a starting point. The analysis carried out here discusses the connection between contemporary documentary theatre and history, and opens up a discussion on whether this theatre genre could make a cognitive contribution to the transmission of historical knowledge.

Key words: Documentary theatre, Latin-American theatre, historiography, fiction and history, document.